(Cotton) diamonds are a girl’s best friend

Reader, I have a confession. I have become a bit obsessed by African wax print.

It started out innocently enough; I noticed on Instagram that some bloggers (particularly Roisin and Vicky) were posting up dresses made from super vibrant bold patterned fabric. Something about the vibrancy sparked an affection for the fabric, but it wasn’t something I saw when physically fabric shopping so I watched from afar.

Then I started to see wax cotton on my rounds of the rag market, and realised how well priced it is. The affection strengthened, moving into an attraction. I even bought a piece, relatively subdued in pattern as it was, and used it for my Colette Rue, marvelling at how workable the fabric was.

The attraction morphed further.

Things came to a head towards the end of September. In my day job, I work predominantly from home, but when I’m in London I work out of an office that’s based in Rich Mix.

Which is a ten minute walk from Middlesex Street, one of the hubs of wax print in London.

Which I then discovered having not previously realised it.

Faced with overwhelming choice and a serious heap of desire I caved, and came back two wonderfully joyful outrageous pieces of fabric. The obsession was fixed…

 

What is it?

A strappy summer dress with a princess seam bodice and gathered skirt.

Is it blue?

Some of the panels are blue, as are the lines that connect the little roundels.

My house is on Bank Street. Cue obligatory ridiculous posing….

What’s the fabric and where’s it from?

An amazing piece of African wax cotton from Middlesex Street. I think I bought it in Good Luck Textiles, but, based on the number of stores in the area, you could into any of them and have a blast.

What’s the pattern?

I used the By Hand London Charlie dress, using a gathered skirt rather than a circle skirt, as per the strawberry dress.

What was good about making this?

How truly wonderfully vibrant it is. I did some pattern matching on the bodice that seemed to actually work (a feat for me….), and I also liked the pattern placement that I did with the roundels central on the bodice.
It came together relatively quickly and felt like a fun thing to sew, probably based on the happiness of the pattern.

What was bad about making this?

I spent a while wondering about the skirt length, and, although I ended up going for the shorter length, still wonder if I made the right decision and should have stuck with midi length (although it’s definitely too late for that now….). I also had worries that I wouldn’t actually wear the dress because it’s that bit more vibrant than my usual makes. I shouldn’t have though, as it was amazing to wear and, even if it ends up being mainly a summer holiday dress, it is still wonderful.


Would you make it again?

I do really like the Charlie pattern, so I wouldn’t be surprised if I made another. I also have a lot of fabric left (pretty standard where wax cotton is concerned as it comes in 6 yard chunks) so I may well make a skirt in the same fabric that might, possibly, be a way to wear the print more regularly.

x

#2017usenine


It’s 2017. Goodness. Wherever did 2016 go?

With the approach of a new year, all sorts of resolutions get called, with people declaring that this is the year they’re going to lose weight, find a new job, run a marathon and all sorts of other big achievements that seem like a great idea when you’re fuelled by fizzy wine and it’s ten to midnight and you don’t actually think you want to do any of those things but it feels like a thing you should do.

Sometimes I think there can be a similar drive within the sewing community to commit to making all sorts of things over the course of the coming twelve months. We see the hashtag #2017makenine and all the plans other sewers have and get caught up thinking about our own plans.

For me, this has led to a #2017makenine but also a #2017usenine.

One of the things I am acutely aware of at the moment is that my stash is getting bigger and bigger, and that I keep buying new things with plans to use them, but then a new favourite comes along and pushes it to the side. So, with that in mind, I’m committing to using these nine fabrics in 2017.

These are actually all relatively recent purchases, but part of the plan here is that they don’t become like other parts of my stash where the drive has gone and they linger waiting for a new project (besides which, some of those are covered by my make nine pattern choices). I’m not saying I’ll use all of them, but it will certainly be interesting to see if I have when this time next year rolls around!

How about you? Do you have a #2017usenine alongside your #2017makenine?

(And for those interested, my make nine are: Sew Over It vintage shirt dress; Closet Case Ginger jeans; Simple Sew Trudy dress; Tilly and the Buttons Orla top; Deer & Doe Pavota jacket; Deer & Doe  Datura blouse; the Ripple Wrap Blouse from Rosie Martin’s No Patterns Needed; the Brighton skirt from Wendy Ward’s A Beginners Guide to Skirts; and a desire to finally use my bodice block and draft myself some more dresses)

X

Pearl & Dean have nothing on me

Well my dears, it’s been quite a while since I dropped by here. Some of that is work related, as things have really stepped up a gear over the last couple of weeks, whilst some of it is much fun and sewing related (although, in fairness, my job gets to be pretty fun too sometimes!

I’ll do proper updates on my recent makes over the coming few weeks, along with a few posts about the adventures I’ve had, but, like a series of adverts in the cinema, here’s what’s coming to a screen near you soon:

  • Two day dresses
  • A party frock
  • Possibly the greatest photo I have ever taken
  • Thoughts on meet ups
  • A series of unselfish acts (well, it is the most wonderful time of the year!)
  • Some resolutions for the future

And now, for today’s main feature; Hong Kong fabric shopping!

I was lucky enough to get to go to Hong Kong at the end of October. I went with my mum and dad, and had an absolute blast; we went to the Big Buddha, did a trip around some of the islands, went to the top of Victoria Peak, trawled the markets of Kowloon, rode the Star Ferry about thirty times (not enough times for my liking!) and generally ate and drank our way around a host of amazing places.

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On the cable car up to the Big Buddha

And of course, I managed to sneak in not one but TWO trips for fabric shopping.

The first was an organised trip of the most wonderful serendipity. It turned out that the wonderful Vicky was in Hong Kong at the same time as me, and, probably unsurprisingly, was also interested in a spot of fabric shopping. So, on the Thursday of our trip, along with my mum (and, much to his bemusement, my dad) we found ourselves in Sham Shui Po, probably the best area in Hong Kong for fabric shopping.

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(This is from a fab video Vicky made that you can find here)

Quite a few of the stores were wholesale, with an amazing array of coloured swatches hung up outside for people to take away and consult (I wanted to take the whole rainbow with me, but wasn’t sure what I’d do with one inch square pieces of fabric). Sadly, most of these places required you to order two to three days in advance of delivering the fabric, and coupled with my non-existent Cantonese it just wasn’t to be.

However, we did manage to find a couple of shops that were more like the fabric shops I’m used to. My absolute favourite was an Aladdin’s cave of a shop where Vicky and I were constantly in danger of having the rolls come tumbling on to us (and, indeed, in once case they did….). The shopkeeper added to the appeal, not least when, looking at my poor dad’s confusion about just why three women were going “oooh” at seemingly identical rolls of fabric, she offered him her seat!

I came away with a couple of interesting pieces, none of which have yet been made up, but which will all be revealed in time.

Then, the second trip was another act of serendipity. My dad had decided to get a suit tailored whilst we were in Hong Kong, and we were on our way to go and pick it up from the tailors. We came out of the metro and walked past another tailor. A tailor with a massive bounty; bags and bags of fabric, all neatly packaged up and all 50 HKD each. That’s a fiver. Five pounds. For high quality suiting and dressmaking fabrics.

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An actual treasure trove!

Needless to say, mum and I were on it like a pair of magpies, and I came away with some absolute beauties, including some blue Chinese silk brocade and leopard print sateen. There weren’t any guides as to how big each piece was, but I figured I’d at least get a top out of each piece. In actuality, each piece is at least two metres long meaning there’s some rather fancy dresses in my future.
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All the loveliness!

So there we have it; two really rather successful trips. Indeed, they were so successful that I couldn’t actually fit all the fabric in to my suitcase and had to put them in a second suitcase….. Thank goodness for Emirates’ 30kg luggage allowance!

x

Sofa so good*

27 August 2013.

According to the internet, it’s the day an Australian journalist, a Chinese director and a Welsh golfer died. It’s also the day that I posted this picture on Twitter (yes, Twitter. These were pre-Instagram days as far as I was concerned)

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(Yes, I was blonde then)

I’d just bought (more than) enough fabric to cover the sofa in my flat.

9 October 2016.

I finally did something about it.

What is it?

A sofa cover; more accurately, a cover for a base, and two covers for back cushions.

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So proud of this!

Is it blue?

No, it’s green. This was a conscious decision for a flat two homes ago, but remarkably still works in the place we live in now.

What’s the fabric and where’s it from?

The fabric is green corduroy that I bought from Fancy Silk Store. I’m fairly certain that they couldn’t believe I wanted to buy as much as I did (if memory serves, I predicted I’d need about 7 metres. I didn’t).

What’s the pattern?

It’s a DIY / self-draft, based on a net for the base and two sausage shapes with pillow case closures for the back cushion.

imageBefore and after. The difference is amazing.

What was good about making this?

It has made such a difference to the living room to put a new cover on the sofa, I really underestimated the impact it would have. I’m also amazed at both how quickly it came together (4 hours from measuring out pieces to being finished) and at how little fabric I actually needed (I reckon about 4m in total).

Well, these things, but mainly the fact that the boy will stop nagging me to make the sofa cover now)

What was bad about making this?

That it took me so long to get around to doing something so simple. I could have made one a year and had three different sofa covers in between times if I’d just pulled my finger out.

Would you make it again?

Now I know how easy it is, I think I would, although it’ll be at least a year or two before I do as these things are designed to be long lasting.

As an additional plus, all those extra metres of fabric mean that I might finally get around to making the dungaree dress I’ve been dreaming of all autumn (although, I hasten to add, I’m planning to dye it first so that I don’t disappear when I sit down!)

x

*I’m so sorry for how bad this pun is. It was literally the best I could come up with. If I had a school report for pun writing, right now it would say “must try harder”. Except the teacher would have come up with a punnier way to express that.

You all know which Kaiser Chiefs’ song we should be singing right now*

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I was really excited back in the summer to be invited to take part in the Simple Sew Blogger’s team. This is a fabulously talented group of sewists, each of whom brings their own unique take on the range of patterns that Simple Sew produce.

When it came to be time to make my first pattern, I had my eye on Ruby, and was lucky enough to get to give it a go. You can read my tutorial for sewing Ruby on the Simple Sew blog here, but I thought I’d stick with my usual style for this post (what can I say, I’m a creature of habit!)

What is it?

A boat necked, fitted bodice dress with a circle skirt.

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Is it blue?

No!

What’s the fabric and where’s it from?

The fabric is a heavy weight crepe I bought from the rag market for £1/m. I’d originally planned to make a Sew Over It Betty dress and whilst this pattern is slightly different (mainly down to the shorter skirt), it seemed like a great choice for the Ruby instead.

What’s the pattern?

Ruby by Simple Sew

What was good about making this?

I love how swooshy this dress is, so getting to dance about in the garden was pretty awesome. It was great as a way to help me get over my, not fear, but ambivalence towards circle skirts. I’ve always thought they’re a bit too much hassle than they’re worth, hence my preference for a gathered skirt, but there is something nice about the way this lies that makes me think I should give them another go.

I also really like the fact that, because I made this in a plain fabric (I know! What was I thinking?!) I was able to get away with much less fabric than I expected as pattern matching wasn’t a thing. At all. Which was pretty dreamy in itself.

I tried to get Pickle to pose with me. She was having none of it.

What was bad about making this?

Hmm. So there were a couple of things that I found less fun with this pattern. Slightly strangely (or at least, slightly strange based on the patterns I’ve sewn previously), this pattern didn’t give body measurements, just finished measurements, with no indication of how much ease is given. So I had to guess my size based on what I’d expect based on my experience of similar patterns. I guessed correctly for my stomach, but it turns out that they draft these patterns for women who are slightly more …. well endowed … than I am.

It’s actually kinda funny when you think about it…

Oh sod subtlety. They draft for women with bigger boobs than me, which meant that I had a perfectly fitting dress apart from 6 inches in the middle where the fabric sagged something rotten. I managed to fix it by putting in some super darts that were pretending to be princess seams, but it’s not a fantastic fix.

I also had to put a pleat in the centre front of the skirt as although I staystitched the pieces, the skirt stretched out of shape slightly, so this was the best way to save it.

That v-back in all its glory

Would you make it again?

So I love the v-back to this dress, and the waist fit, and the neckline and the swoosh of the skirt, but that bust has put me off. I know I should just suck it up and learn how to do a small bust allowance, but, well I’m scared. Once I get over myself I think I probably will make it again, but until then, I think this might be one to chalk up to experience.

On the plus side, it does look pretty fabulous with a petticoat underneath, so maybe I’ll change my mind!

x

*and if you don’t, it’s this one

Disclaimer: whilst Simple Sew sent me the Ruby dress pattern for free, I have received no other payment and the views expressed here are my own

Stationery addicts of the world unite!

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I’ve mentioned before how I have a habit of developing long lasting love affairs with particular fabrics, agonising over them, debating, walking back and forth like an expectant parent before finally biting the bullet and buying them.

This is one of those fabrics.

This particular love affair started quite some time ago, certainly the start of the summer (ah! Summer love!) and I knew it was exactly what I wanted. The colours are perfect and the interchanging pencils and sharpenings spoke to every part of my psyche that spent each summer at school agonising over what to buy for the coming year’s pencil case.

Despite this, I just couldn’t quite pluck up the courage to buy it. At least, I couldn’t until Sew Brum, where the positive influence of lots of lovely sewists (but especially Lauren) tipped the balance squarely in its favour!

What is it?

A boat neck fitted bodice dress with a gathered skirt.

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Is it blue?

No, but the lead of one of the pencils is!

What’s the fabric and where’s it from?

The fabric is certainly a Liberty print, but it came from the Liberty Man at the Rag Market for £8/m rather than the standard Liberty £22/m. Coupled with a very slight printing error on one side, this makes me think it might ever so possibly be a misprint rather than the real deal. That said, it is super soft and lightweight which is pretty fabulous.

What’s the pattern?

I used the By Hand London Anna dress for the bodice and matched it with a gathered skirt. I only bought a metre and a half of the fabric (it might be cheap for Liberty but it was still expensive for me!) and was very pleased to find that I could squeeze the dress out of that little; my scraps pile for this project bordered on non-existent!

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What was good about making this?

The speed of sewing was great; I put the fabric in to wash on the Saturday when I got back from town, cut in to it on Sunday afternoon and wore it to work on the Wednesday. It was also a great excuse for buying this sweet as a button pencil sharpener necklace from the Tatty Devine sale. It’s pretty much the perfect partner for this dress.

What was bad about making this?

The only bad thing was discovering the flaw in the fabric. I was pretty heartbroken to begin with, and then I realised that the slightly flecked abstract background of the print overall counteracted this and literally no-one else would notice.

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Would you make it again?

I think so. After the Space Dress I said that I wasn’t too sure, but with the addition of the gathered skirt I’ve found renewed love for this pattern. I’ve also worn it almost ever moment when it’s not been in the wash basket since making it, which is always a good sign!

x

Mother bleeping dinosaurs

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It’s probably no surprise that I’m a bit of a fan of dinosaurs (hi there multiple jumpers, multiple necklaces, and an attraction to line drawings featuring dinosaurs). For quite a while I’ve had a dream of making a dinosaur dress, but finding fabric that wasn’t obviously children’s fabric was pretty difficult. I like the Lizzy House fabric  from a few years ago that a couple of people have used before (with a special shout out to Elle’s fabulous skirt) but I wanted something that was closer to the natural history style drawings in my dinosaur magazine when I was a kid, the thing that was my main introduction to all things dino.

One day, for no reason other than I wanted a five minute procrastination break, I found myself trawling “dinosaur fabric” on etsy. And there it was. The most perfect, naturalistic styled drawings of dinosaurs, all over a 3 yard chunk of fabric.

IMG_5670Needless to say, I bought it as soon as I could, and squealed with delight when it arrived, throwing it straight into the wash. But then it just sat there. A bit like the Nani Iro fabric, I was too darned scared to cut into it.

Roll around September, and this year’s Sew Brum. I knew I wanted a new dress for the day and I knew I wanted it to be something exciting and special. And just like Jurassic Park, it was time to bring dinosaurs back into existence (although with hopefully fewer negative repercussions and people getting eaten by out of control raptors).

What is it?

A mother bleeping dinosaur dress!

10-img_0762Is it blue?

No, but, frankly, in this case, I don’t care

What’s the fabric and where is it from?

DINOSAUR FABRIC! I found it on Etsy back in April, although the seller at the time doesn’t have any left. It’s 1980s cotton, and if you want to try finding it for yourself, the selvedge says “Hollytex” on it.
15-IMG_5671Not that I’m excited, obviously…

What’s the pattern?

The Mortmain, because I wanted something that I knew I could make without worrying and that wouldn’t disrupt the pattern on the front too much. I put a gathered skirt on it this time, and it’s about time too that this happened, it makes it even swooshier than the box pleats on the standard pattern.

What was good about making this?

Getting to work with dinosaur fabric. Once the dinosaur love is out of the way, I’m really pleased with the pattern matching on this one. The side seams are neat as a button, whilst on the back seam I managed to get the T-rex’s tail to match on either side of zip. Plus, at the waistband, I managed to get the pattern to line across the bodice and the waistband across all three bodice pieces. This felt like a real step forwards in the pattern matching stakes.

I finished the neckline and armholes with satin bias binding, and although I’m still not entirely certain it’s the best finishing method, I’ve definitely got neater (tip: slower is better as far as this is concerned!)

Oh, AND pretending to be various dinosaurs whilst the boy was taking my photo (not seen here: diplodocus. That one is DIFFICULT)

What was bad about making this?

I’m not completely convinced about the zip, but that’s more to do with the actual zip being a bit cheap and being two inches too short as I wanted to get it made and ready for this year’s Sew Brum and I only had one day on which to buy a zip. Whether I can be bothered to go about replacing the zip is a different matter…

Would you make it again?

As far as the Mortmain is concerned, never say never!
x

Good things happen to those who….*

05-img_0720For Christmas this year, amongst the things I bought for the boy was a copy of the Walden shirt pattern Negroni, the thinking being that it could either be something that we made together (if he had any interest in learning to sew) or something that I could make for him as a delayed gratification gift.

Possibly unsurprisingly, he had absolutely no interest in learning to sew, so I made up my mind that I would make him a shirt. We found some fabric he liked, I traced off the pattern and everything was ready.

And then some time passed. And a bit more time. And suddenly it was September, nine months after Christmas, eight months since the fabric arrived, and as part of this year’s #sewphotohop I discovered that the fabric was still sat in my stash box, waiting to be used.

The time for waiting was over.

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Perfecting blue steel….

What is it?

A long sleeved men’s shirt with flat felled seams and a left hand pocket.

Is it blue?

Yes (because he’s a boy after my own heart!)

What’s the fabric and where’s it from?

The fabric is a lovely shirting cotton with tiny purple pansies and blue steering wheels (best description I can think of!) bought from Fabworks Mill.

04-img_0718Super shirt for a super man…

What’s the pattern?

Negroni by Walden, the menswear arm of Colette in version 1 (but with only one pocket).

What was good about making this?

Seeing him wear it. That’s basically the best thing. Once the sappiness is out of the way though, there were a couple of things I enjoyed with this:

  • Pattern matching was an absolute dream, mainly due to the tiny repeat. I’m really pleased with the way that the final shirt has matched up.
  • Although a bit of a nightmare, the self finishing yoke and the placket pieces were really nice visually.
  • I got to use my own labels! These were a birthday present from the boy, so it seemed fitting that the first thing I used them on was something for him.
  • Learning how to do flat felled seams; they’ve got a really neat look to them.
  • The buttonholes came out neat as, well, a button, which is always an added bonus.

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Someone’s been taking hints from my posing…

What was bad about making this?

Apart from the guilt about how long it took to get moving with this, I had a bit of a mare doing the flat felled seams on the armhole and the cuffs did not want to behave, although it was nothing that a bit of rigorous pressing and topstitching couldn’t hide.

Would you make it again?

I would. Maybe not often, but I am pleased with it, and I also see it being quite a useful last minute (ok, last several days) gift in the future!

x

*wait.

One dress to Rue them all

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A while ago, Colette Patterns put a call out for pattern testers. I signed up, assuming that they’d get hundreds of responses and that I didn’t stand a chance. To my surprise, they asked me to take part in testing their newest pattern, the Rue dress.

I was pretty excited if I’m honest, and, when they revealed that it would be released on my birthday I knew what had to be done; it was time to make my birthday dress.

What is it?

A capped sleeved dress, with curved style lines on the bodice and a pleated knee length skirt.

Is it blue?

Yup yup!

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Just out of shot: a champagne saucer filled with prosecco.
Well it was my birthday!

What’s the fabric and where’s it from?

The fabric is an African wax cotton print that I found in the rag market (at the man who sells Liberty’s stall to be precise). The lining material was Monaco anti-static lining from Guthrie and Ghani in a lovely silvery grey.

What’s the pattern?

Why the Colette Rue of course!

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What was good about making this?

Aside from the excitement of getting a sneaky peek at a brand new design, there were a couple of good things about this.

I love the style lines on the bodice and was pleased with the way that I was able to rotate my pieces to make the most of demonstrating this with such a bold print. It felt like it really highlighted the centre point.

I don’t often do full lining, and even when I do a bodice lining I usually use fabrics that are fairly cotton-like (even when they are polyester…). For this dress I used a more traditional shiny lining material and it does give a more professional look to the inside (although that’s not to say I’m a total convert…).

Generally the instructions were really clear, and that made this all the easier; Colette describe the dress as being intermediate level, but it certainly didn’t feel like it!

What was bad about making this?

There was only one bad thing, and that was sewing down the lining on the bodice. My days it was a nightmare.

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Lining nightmare face

The instructions for this step were pretty confusing as I’d not done something like that before, and, although they provided a link to a video that explained the technique, the video showed a sleeveless dress. Which mean it just didn’t work (to my brain at least) when trying to also deal with cap sleeves.

I had three goes at it and not one worked (in fact, one of them ended up sewing the lining to the outside of the dress. I’ve no idea how but it did). The boy had a look and he couldn’t figure it. I ended up saying “sod it” (but in slightly more…fruity… language) and leaving the raw edge sewn but exposed as no-one is going to see up my sleeve anyway!

Would you make it again?

I would. I’d consider not doing a full lining – or indeed any lining – as based on other dresses I’ve made I think this one would get away with it. I’d also like to try a sleeveless variation; I tried this on at the stage where the zipper was in and the sleeves were off and thought “this would work”. The final design idea that I’d like to try would be to add piping to the bodice, something I very nearly did this time but decided against as I thought multi-direction arrows were detail enough!

How about you? Have you had a go at Rue yet? What did you think?

x

Disclaimer: although Colette sent me the pattern for Rue for free, I received no other payment and all the views expressed here are my own. 

The green dress of doom….

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Well it had to happen. Sometimes you have an idea in your head and it’s wonderful and amazing and however hard you try it just doesn’t happen. This is that dress.

The tears.

The anguish.

The general nightmare.

Maybe I’m being over the top. Or maybe I’m not. You decide….

What is it?

A hellish nightmare. Or, if you want to be precise, theoretically a wrap dress with a scooped neck and capped sleeves.

Is it blue?

No.

What’s the fabric and where’s it from?

The most gorgeous, soft green viscose bought from somewhere in the depths of ebay.img_9968

Drowning in viscose. Might have gone mad by this point…

What’s the pattern?

The Colette Crepe wrap dress, something I’ve had my eye on for ages and that I tested out with the fastest wearable toile ever.

What was good about making this?

I liked the colour. And that’s it.

What was bad about making this?

Oh god. Where to begin? There’s a lot of things that were less than fun, so, for ease for everyone I’ll use that old favourite, a bullet point list:

  • Viscose is a lovely fabric. It’s also really slippery making cutting out a pain in the arse.
  • I’d had a few excusable fitting issues with the toile, so figured the best approach would be to take the bodice down a size. It did not help. If anything, the fitting was worse and somehow bigger than the first one? The front had a weird hang, the back, which should be taut against my back was sloppy and loose, and I felt like a sack of potatoes.
  • The facing. Oh god the facing. Flappy and horrible, no amount of anything would make the facing work. Especially not on…
  • The cap sleeves. Which were basically hideous and wrong. I don’t know how they went from “kinda cute” on the toile to “why would you ever do that?” on this version.

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Would you make it again?

HELL NO.

I was really gutted with this. It’s something I’d wanted to make for ages, I’d planned to make it for a friend’s wedding, and when it went to pieces, I lost all confidence in it. As much as some people might look at it and think “oh it’s not that bad”, the point was that it felt bad, and I think we can all agree that a fancy dress is not one that you’re meant to feel bad in.

I’ve got some ideas of ways I can salvage it (cut those sleeves off for a start…) which I’d like to do, especially as the fabric is so lovely. But right now, the idea makes me want to cry, so I think I’ll just leave it in my fabric box until I can face it (read: some point in the far future).

THAT SAID: this was, despite the frustration, a good experience as it was a reminder that it doesn’t always go right and that doesn’t matter. I ended up wearing the Nani Iro dress of dreams to the wedding and felt absolutely great in it (and had some lovely compliments to boot). Plus, the next thing I made was about a million times better and made up for all the hurt. Result.

So, was I being over dramatic?

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